Symbolism in Fuentes Aura Essay -- Carlos Fuentes, Aura Essays

On the surface, Fuentes Aura is a in truth strange and eerie book. It draws you in and keeps you there, forcing you to admit the book to its very end. Just below the surface, a world of symbolism, haggle and parallels lead to a greater understanding of what is happening through bug out this engrossing tale. Skimming the surface of the story, an abundance of symbols can be signaled out, however a recurrence of symbols is very important. One of the most prevalent symbols found in this story is the depressedness of Senora Consuelos elder colonial mansion. The house is so dark the characters must learn to maneuver by sound and touch. The darkness sets the odour for the whole story. Senora Consuelos room is not bathed in light but modify with perpetual shadows. Of course darkness and shadows are a staple of the Gothic, but darkness could also be suggestive of the unknown or not being able to think clearly. Shadows could be interpreted as that which is clouded, problematical to g rasp, or just beyond clear vision. Did the darkness and shadows contribute to Felipe?s state of mind and make him more susceptible to Senora Consuelos will? The cortege where the action of a story takes place are also very important. Some the rooms used in the book are bedrooms, the eat room, the parlor, and the enclosed tend patio. The first room we see inside of this old house is the garden patio. This room is interesting because the smell from the patio is ever associated with the title character. Felipe looks for her in this garden he smells the patio plants in her hair. Symbolically, the garden can be associated with the mind, with the unconscious, or it may give you clues to your own inward state. The plants, flowers, and fruit found in the garden may also erect t... ...book. These symbols and recurrences are not coincidental or superficial, but upon investigation, give deeper discernment into how deeply the mindset of our main character was affected. We now know that Felipe had or so no choice and was lulled into this household. Then there is a plausible commentary about the true relationship between Aura and Senora Consuelo. This book turns out to be a very strange life/death round of drinks that still leaves questions that need to be answered. Work CitedFuentes, Carlos. Aura. Trans. Lysander Kemp. New York Farrar, Straus and Giroux, 1981.Fuentes, Carlos. Worlds Apart. Modernism/Postmodernism. Ed. woodpecker Brooker. London Longman, 1992. 244-46.Gillespie, Kathleen A literary Legend Speaks ? Carlos Fuentes at the Askwith Education gathering 1 de Diciembre de 2003http//www.gse.harvard.edu/news/featrures/fuentes12012000.html